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Partizanske pesme
Partizanske pesme






partizanske pesme
  1. #Partizanske pesme drivers
  2. #Partizanske pesme driver

Or the talent of Balzac or of famous Socrates,Īnd it will shine as long as the world lastsĢAlthough he finished only four grades of primary school before the war broke out and a short course for tractor drivers after the war in Tito’s Yugoslavia, Mandić was socialized in a predominantly literate culture, in which he had access to the works of Tolstoy, Pushkin and Balzac. Or of Tolstoy from the country of Russia,

  • 5 Mandić, “Uvodna pjesma o Maršalu Titu,” in Pjesme o životnom putu druga Tita, 5–6.
  • Keep this in mind as we read the introductory verses of Mandić’s rhymed biography of Tito:

    partizanske pesme

    4 But by the time Mandić was composing his songs, much had changed in the culture that nurtured epic poetry. In general, the verbal art of East and South Slavs has been predominantly epic in character. The tradition of oral epic folk poetry, commonly but wrongly identified with the guslar tradition only, 3 has a long and important history in the Balkans. 1 The decision to tackle the life of Tito came, in his own words, as a result of an “unrelenting desire” to have his verses “talk about dear Comrade Tito.” 2 Unrelenting desire or not, his decision to record a rather long biography of Tito in verse (composed in twenty-seven songs over fortythree pages, starting with Tito’s birth and ending with the year 1965, when the book was published) brought Mandić into the ranks of epic folk poets. These two men with the red star on their foreheads were like “heroes on the battlefield” who conquered the Universe. In two more describing new achievements in science and technology, he was especially fascinated with and dwelled long on the Soviet “space heroes” Yuri Gagarin and German Titov. He had published three books on various episodes from the Second World War.

    partizanske pesme

    #Partizanske pesme driver

    Mandić, a thirty-nine-year-old Montenegrin and tractor driver by profession, already had considerable experience in the field. 4 Svatava Pirkova-Jakobson, “Introduction,” in Vladimir Propp, Morphology of the Folktale, 2nd editi (.)ġWhen he started translating the story of Tito’s life and work into a series of epic poems, Milorad P.3 A guslar is a player on the gusle, a one-string folk instrument used for musical accompaniment of (.).Mandić, Pjesme o životnom putu druga Tita: U čast se (.)








    Partizanske pesme